A couple of days before it closed, I made it to see Henry Taylor’s show, “Nothing Change, Nothing Strange” at the Fabric Workshop and Museum. I’m really glad that I managed to make it there because this show was one to get pleasantly lost in, material-wise. The blended use of recycled construction materials and newer pieces, arranged along the entirety of the long second floor space, brought to mind being in an abandoned warehouse where someone took whatever was around them to craft a narrative from that was adamantly site-specific. The space was used to it’s max from floor to ceiling, front to back.
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Henry Taylor: Nothing Change, Nothing Strange
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A couple of days before it closed, I made it to see Henry Taylor’s show, “Nothing Change, Nothing Strange” at the Fabric Workshop and Museum. I’m really glad that I managed to make it there because this show was one to get pleasantly lost in, material-wise. The blended use of recycled construction materials and newer pieces, arranged along the entirety of the long second floor space, brought to mind being in an abandoned warehouse where someone took whatever was around them to craft a narrative from that was adamantly site-specific. The space was used to it’s max from floor to ceiling, front to back.