Hey Seth, thanks! I’m really glad that it worked out so well with no preparation. That’s wild about you being so close to Kutztown. You’re welcome to come by any time when you’re in the city!
I appreciate that you brought up the auction houses. Most people don't realize all the flaws of when an artist's work is auctioned. Have you seen the documentary, The Price of Everything? It's all about that....which its sickening to watch from an artist perspective.
Congrats on the tv opp! Gotta jump at those when you can!
Thanks, Joi, yes the general public has no idea about how a lot of the greater art world works. The interviewer’s jaw dropped when I told him during a break what I said on screen about auctions and how they work. People are starry-eyed over dollar signs and haven’t been educated enough about the realities.
The Price of Everything is one of my favorite art docs. It’s hard to find a way to watch it online, but I always recommend it to people so they can learn a bit about what really goes on in the 1% of the art world.
Great job! I have been following you for quite awhile, being engaged by your work ... and your words. I wish he would have let you expound more, having read much about your process, your evolution, your feelings about art and its relationship to others and yourself. I wondered if your studio was at The Crane. I was one of the original occupants. My studio was on the 4th floor next to Richard Hricko, and across from Susan Moore. I sooo miss it! Your work is significant and I admire your spirit. This was a terrific opportunity and good exposure. I just would have liked it if the interviewer had allowed your voice to be more prominent, because I know how much you have to say and how well you do express your thoughts!
Thank you, Judith! Nice to know of your connections to the Crane. It’s been like a homecoming of sorts being here because three of my past instructors have studios in the building: Richard, Marilyn Holsing and Mark Blavat.
As for the interview, Hank definitely has a full-throttle approach, but I fed off of his energy at the same time. He also had a specific audience in mind with his approach. There are other interviews/profiles of me online that give a little more insight, but I had fun with this one.
“You have to be willing to rip it up…” yesss, I had a printmaking lecturer who taught us this, it’s a mindset that will always allow you to push and grow in your art. I love your feature, congrats on making it just in time! Your work, themes and messages resonate so much with me, very glad I found you here and can follow along. Thank you for sharing.
Very cool, Tim! And congratulations on the opportunity!
Thanks, Jenna! It was a wild, but good morning to have.
Oh my goodness, that clip is SO great! And Kutztown University?! I shoulda caught a ride with them, they're like... 2 blocks away hahah
Hey Seth, thanks! I’m really glad that it worked out so well with no preparation. That’s wild about you being so close to Kutztown. You’re welcome to come by any time when you’re in the city!
Ahh that’d rad! Your space looks amazing!
I appreciate that you brought up the auction houses. Most people don't realize all the flaws of when an artist's work is auctioned. Have you seen the documentary, The Price of Everything? It's all about that....which its sickening to watch from an artist perspective.
Congrats on the tv opp! Gotta jump at those when you can!
Thanks, Joi, yes the general public has no idea about how a lot of the greater art world works. The interviewer’s jaw dropped when I told him during a break what I said on screen about auctions and how they work. People are starry-eyed over dollar signs and haven’t been educated enough about the realities.
The Price of Everything is one of my favorite art docs. It’s hard to find a way to watch it online, but I always recommend it to people so they can learn a bit about what really goes on in the 1% of the art world.
Thanks for reading and watching!
Congrats on this wonderful opportunity Tim. I enjoyed watching the interview and getting to know more about your practice.
Thanks, Cassandra, I’m glad that you enjoyed it.
I’m so happy that you got the opportunity to be featured on Good Day Uncut. Way to seize the moment!
Thanks, Tina, there’s nothing like a text like that to kick you out of your melancholy and into gear, lol!
Great job! I have been following you for quite awhile, being engaged by your work ... and your words. I wish he would have let you expound more, having read much about your process, your evolution, your feelings about art and its relationship to others and yourself. I wondered if your studio was at The Crane. I was one of the original occupants. My studio was on the 4th floor next to Richard Hricko, and across from Susan Moore. I sooo miss it! Your work is significant and I admire your spirit. This was a terrific opportunity and good exposure. I just would have liked it if the interviewer had allowed your voice to be more prominent, because I know how much you have to say and how well you do express your thoughts!
Thank you, Judith! Nice to know of your connections to the Crane. It’s been like a homecoming of sorts being here because three of my past instructors have studios in the building: Richard, Marilyn Holsing and Mark Blavat.
As for the interview, Hank definitely has a full-throttle approach, but I fed off of his energy at the same time. He also had a specific audience in mind with his approach. There are other interviews/profiles of me online that give a little more insight, but I had fun with this one.
“You have to be willing to rip it up…” yesss, I had a printmaking lecturer who taught us this, it’s a mindset that will always allow you to push and grow in your art. I love your feature, congrats on making it just in time! Your work, themes and messages resonate so much with me, very glad I found you here and can follow along. Thank you for sharing.
Hi Jessica, yes, it's so important to have some flexibility in how we approach the work. Thanks for your comment and subscribing!